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Post by DSR on Mar 18, 2014 0:26:14 GMT -5
Never saw JAWS: THE REVENGE, but I heard the How Did This Get Made? podcast episode where they discussed it. That was a lot of fun.
*shrug*
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El Pollo Guerrera
Grimlock
His name has chicken in it, and he is good at makin' .gifs, so that's cool.
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Post by El Pollo Guerrera on Mar 19, 2014 0:37:55 GMT -5
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Post by Deleted on Mar 24, 2014 11:37:26 GMT -5
So during a panel discussion at a convention about Friday the 13th: The Final Chapter, somebody got this piece of morsely goodness.
WHAT?!?!
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Lick Ness Monster
Dennis Stamp
From the eerie, eerie depths of Lake Okabena
Posts: 4,874
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Post by Lick Ness Monster on Mar 24, 2014 18:06:55 GMT -5
So during a panel discussion at a convention about Friday the 13th: The Final Chapter, somebody got this piece of morsely goodness. WHAT?!?! I don't see how that's anything but outstanding news. I don't think the 2009 Friday is a BAD flick, but it's not especially fun or memorable. I think Tom could bring both of those qualities back in SPADES. New blog review, a day early once again... 1988 Directed by Stan Winston Starring Lance Henriksen, Jeff East and John D'Aquino It's unlikely that many people outside of the horror community have even heard of Pumpkinhead, the 1988 directorial debut from special effects wiz kid Stan Winston. And that's a damn shame, because this is a pretty damn fun time at the movies. Maybe the BEST thing about the flick is how it blends some of the various types of horror movies out there together - it's partly a revenge thriller, there's a substantial chunk of "creature feature" Frankenstein-esque stuff, and for a good portion of the second act it's a straight-up slasher as a group of attractive young kids get cut the hell up in ever-inventive and ever-gory ways. Amazingly enough, it also never feels like overkill (hello, Cabin in the Woods). And it's the only movie I've ever seen where a bizarre man-creature who looks like a cross between a scarecrow and a xenomorph gets to kill the holy dick out of a bunch of people. There's some major victories to be had here, I tell ya. PLOT: Ed Harley (Lance Henriksen) owns a small store in the country and lives with his young son. A group of hooligan-esque teens pass through and wind up mortally wounding Ed's son in a dirtbike accident. Cue extremely angry Henriksen face and dark, dreary music. You see, there is an urban legend in this part of the country about a witch living in the sticks who has the power to get revenge against those who have wronged you. Within short order, Ed tracks the witch down (in a very atmospheric, understated scene, by the way) and begs for revenge. It's one of the more creative things I've seen in a horror movie, involving raising an unstoppable killing machine of a creature to do the deed - a creature that proves quite adept at its mission as the teens begin getting offed one by one at a nearby cabin. Unexpectedly, Ed is able to see every kill that the creature completes, and as the movie reaches its crescendo, it's up to Ed (along with a couple of the more likable campers) to undo the damage and send the creature back to hell. The script is very inventive, rarely strays into dorky territory, and has a very distinctive three-act structure that gives the Lick Ness Monster a monstrous boner. PLOT RATING: *** 1/2 out of ****. CHARACTERS AND ACTORS: The movie starts with a scene set in the 1950s involving a very young Ed Harley witnessing his father denying help to a man begging for help at their door, only to be summarily killed by Pumpkinhead. There's a very good shading of depth to the character of Ed Harley, and Henriksen - as he always does - plays the character masterfully. Amazingly enough, several of the teen characters are also quite likable and engaging - they're very different from the typical group of pot-smoking sexmongers in most movies of this type, as they all feel a great deal of remorse about their act. Return to Sleepaway Camp, this bunch ain't. Watching the movie unfold, it is also clear that the writer made a very good choice, in particular, to leave Chris (Jeff East) and Tracy (Cynthia Bain) as the final two survivors along with Ed. Good stuff all-around here. CHARACTERS AND ACTORS RATING: *** 1/2 out of ****. COOL FACTOR: Winston is a makeup master, and his talents are well-on-display in Pumpkinhead as he creates one of his more iconic...um...icons in the form of the Pumpkinhead monster. As far as I'm concerned, the official goddamn gold seal of approval when it comes to movie monsters is if they have their own model kits associated with them, and this dude has plenty. The "shit hits the fan" portion of the movie is very effectively done; it doesn't throw red stuff off the screen in some sort of menstrual Shining-esque geyser, it spreads them out to make an impact. An impact, mind you, that is damn better than anything we get from Willow or the Bro-Mans. COOL FACTOR: *** 1/2 out of ****. OVERALL: This flick was a moderate success at the box office, making its budget back with a little extra, but it has become a fairly substantial cult hit in the years since. Having also seen the sequels, including two amazingly craptacular SyFy originals, it is also MILES above anything else that would come from this concept. It really is amazing what you get from a horror movie when you have actors who are genuinely invested in what they're doing, and watching Henriksen in this movie in preparation for this review actually made me very sad considering just how uninspired and disengaged almost all of the vaguely hateable teens/college kids that populate horror movies these days. Curmudgeonly old man syndrome rears his ugly head once again. In summary, pick this one up if you haven't seen it, because Pumpkinhead is a scary, well-acted and even occasionally genuinely powerful horror flick that might just stick with you after you turn the lights off. OVERALL RATING: *** 1/2 out of ****. Joe Bob makes the "Yes" gesture.
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Lick Ness Monster
Dennis Stamp
From the eerie, eerie depths of Lake Okabena
Posts: 4,874
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Post by Lick Ness Monster on Apr 1, 2014 9:14:23 GMT -5
New weekly blog review is UP. One of the things I enjoy doing the most is turning people on to some Japanese/Asian horror films, this being one of them... CARVED 2: THE SCISSORS MASSACRE 2008 Directed by Kotaro Terauchi Starring Rin Asuka, Yukie Kawamura and Mayuko Iwasa A few months back I reviewed Carved, the 2007 J-horror semi-classic (now that's a compliment) that gave us a sort of modern retelling of the Slit-Mouthed Woman urban legend. At the time I ordered the flick off Amazon, I wasn't even aware that it had a sequel, but lo and behold, there is. The universe works in mysterious ways sometimes, but much to my surprise, Carved 2 does an even better job than the original of taking the admittedly very frail framework of the folktale and making it emotional and resonant. It's rare when a horror film leaves me sad in a good way. Normally, sadness in horror equates to the "oh my God, I want to kill myself" kind of sadness. So 15 Fonzie cool points to the movie in this regard. If you're in the mood for something that will kick you in the gut, look no further. PLOT: The movie's handy-dandy Wikipedia page calls this film a "prequel" to the original movie, but nothing could be further from the truth. It's more a straight-up redux - an alternate take, if you wiiiillllll (/Dusty Rhodes). The main character this time around is Mayumi Sawada (Asuka), good-natured 16-year-old girl living a charmed life. She's on the track team, appears to have a requited crush, and has two supportive older sisters. All of that comes crashing down when one of said older sister's spiteful ex-boyfriends sneaks into the house and pours sulfuric acid all over her face (believing it was the older sister, natch). Mayumi returns to school after the tragedy wearing a mask over her mouth, and it isn't long before the proverbial shit hits the fan, as various people who inconvenience/cross Mayumi wind up meeting a horrific end at the hands of the mysterious "red coat woman." The twists in the movie are quite predictable, but this is one of those movies where predictability isn't such a bad thing. Setup and payoffs. Vince Russo could learn a thing or two from this movie. PLOT RATING: *** out of ****. CHARACTERS AND ACTORS: All three of the sisters in this movie are painted very well, with approximately 713% more development and heart than Rob Zombie could ever hope to muster. The movie gives us decisions and quirks with all of the characters that make them genuinely memorable, and every actor in the film is more than up to the challenge. A good portion of the middle section of Carved 2 concerns the family tragedy that stems from the aforementioned acid bath, with the father eventually committing suicide to save the family's debts with life insurance money, making this flick at its heart a story about three sisters dealing with internal (financial burden) and external (a whole heap o' murder) hardships. Even Seichi - the guy at school whom Mayumi is smitten with - is written to be likable and thoughtful where pretty much any American writer would make the guy an emo douchebag. Add another 30 Fonzie cool points to the movie here, because these people will stick with you after the movie's startling-in-the-best-way finale. CHARACTERS AND ACTORS RATING: A very Dave Meltzer-esque **** out of ****. COOL FACTOR: Like the first movie and most J-horror films in general, Carved 2 takes the less is more approach to murder and mayhem. In fact, most of the actual death scenes take place only in flashback (until the climax, of course), but when these things come, they really hit you in the gut both emotionally and viscerally. Everyone's milage on this suject might vary, but the LOOK of the Slit-Mouthed Woman is something that I just find infinitely cool, particularly in her "battle gear" this time around. In another of my oft-repeated statements that are rapidly becoming cliche, see above photo for proof. COOL FACTOR: *** 1/2 out of ****. OVERALL: I've got to hand it to Kotaro Terauchi (the director and also screenwriter) on this one, because he managed to take the original film and do it in an entirely different way that manages to, you know, not suck. In fact, it's a damn good film - not just by horror standards, but by any standard. If you're into J-horror in the slightest, I would quantify this as a must-watch, and even if you're not, check it out anyway. It's hard to find horror movies with a more likale, less douchey group of characters than this one. OVERALL RATING: *** 1/2 out of ****. A little familiar at points to those with J-horror experience, but Ric Flair-esque in every other regard.
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Lick Ness Monster
Dennis Stamp
From the eerie, eerie depths of Lake Okabena
Posts: 4,874
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Post by Lick Ness Monster on Apr 8, 2014 8:29:06 GMT -5
Time for the weekly blog review. I refuse to post the godawful DVD cover art for this one with the snarky ironic hipster. 1986 Directed by Mark Ezra, Peter Litten and George Dugdale Starring Caroline Munro, Simon Scuddamore, Carmine Iannaconne and Donna Yeager Out of the pantheon of slasher flicks released in the wake of the success of Friday the 13th[, Slaughter High has got to be one of the most downright STRANGE entries in the entire subgenre. It's hard to explain. It hits all of the familiar notes that slashers were known for, boasting gratuitous sex scenes, fake blood geysers and tits aplenty...but it does all this in a way that is just...different. For starters, the killer. This dude is completely unlike anything I've ever seen in the countless Friday-Halloween-Nightmare films and their ilk, and I'm not just talking about his appearance. Yes, he's pretty weird looking. Kind of like a decrepit Abe Vigora-esque court jester wearing a letterman's jacket. But it's more the setup and the methodology that this movie truly differentiates itself and veers into true blue "the f***?" territory. Is the movie any good? Unfortunately, not really. As is often the case with slasher flicks with micro budgets and grand aspirations of hooking up with a whole lot of hardcore genre fans, it shoots big and falls hard. BUT...it falls hard in a way that is intermittently entertaining as opposed to the "please inject poison cyanide into my eyeballs" kind of way that, say, My Soul To Take is. I still want my $3 3D deposit back, Craven. With that, the movie. PLOT: One of the tried and true tropes of slasherdom revolves around building up some kind of past evil/heinousness to haunt the present day, and this movie gives us just that in the prologue sequence as we pay witness to a group of perfectly happy and hot teenage friends mocking and ridiculing poor Marty Rantzen. Before you can say "exposition," a prank goes horribly wrong and Marty is burned beyond repair. The movie then launches forward several years, where we meet all of the prankers in their adult forms. They have been invited back to the ol' high school for a reunion, and upon arriving find out that their group is the only attendees. Slasher fans, guess where we're going from here. It seems that Marty has made his way to the local hardware and costume stores and has revenge on his mind, and it isn't long before limbs start flying. Of course, the "nerd looking for retribution" concept had been done in other films and has been done a few times since, but enver in such as WEIRD a way as this movie manages to pull off, moreso in tone than content. This is a movie where a group of characters are trapped in a building, eventually find some of said characters' corpses, can't leave the building, and it somehow seems even MORE laughable than usual. I don't know, maybe it's just me. PLOT RATING: ** out of ****. CHARACTERS AND ACTORS: The main character of sorts is Carol (Caroline Munro), the girl who first lured Marty to the prankfest with the promise of bathroom sex as a teenager. As an adult, she's a semi-successful actor, and Munro is able to give her a decent amount of chutzpah. Let's put it this way - she's the only character in this movie that doesn't immediately stand out as future jester fodder, which should say something about the other jokers we have present for this round of slahser flick roll call. We've got the usual douchy guy, athletic guy, slutty girl, etc., with the added bonus that all of these people were played by English actors using fake American accents. It shows in the delivery. Alan Rickman these guys ain't. This is a slasher that falls victim to the unfortunate "root for the killer to wipe another annoying face off the screen" syndrome, and as such, my complicated math formula needs to dock some star points here. CHARACTERS AND ACTORS RATING: * out of ****. COOL FACTOR: Many slasher films have cool-looking and/or simply cool villains, but this isn't one of them. Take a good look at the above picture. Just look. Then extrapolate that to the idea that his every appearance is accompanied with drippy, dreary music that is supposed to convey endless terror and try not to laugh. Fortunately, what this movie DOES have is plenty of effective and pretty darn violent murder set pieces. There's electrocution during coitus, stabbings aplenty and one pretty damn nifty sequence where a girl is scalded horribly in a rigged acid bath. Think the similar sequence from Halloween II times a thousand. The kills in this movie are indeed a treat, and enough to lull you out of the state the catatonic state that you'll be stuck in for a majority of the 90-minute running time. COOL FACTOR: *** out of ****. OVERALL: A real mixed bag of a movie, to be sure. One thing that I couldn't point out above is that the film has a tiny budget and really looks it; some directors are masters of disguising their lack of funding. This movie's THREE (and yes, three people manned the director's chair for Slaughter High, which is usually a very telling sign that something was amiss during production) directors are not quite as talented. Of course, ANOTHER thing to point out is that this is a movie that has one of THOSE endings. Advance warning: the ending of this movie will piss you off, likely a whole lot. It's not quite up to the "it's only a dream" standard, but it is indeed a total copout that will leave you feel angry and cheated. Either that or I need to take cheesy '80s body-count flicks less seriously. Thus, while the flick has its moments of very entertaining ineptness in the form of its crummy camerawork and acting combined with some solid kills, I can only recommend it for a rental. OVERALL RATING: * 1/2 out of ****. Would have been a **, but man, that ending.
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Post by DSR on Apr 8, 2014 18:23:10 GMT -5
I had fond memories of seeing SLAUGHTER HIGH as a kid. Those memories were dashed to pieces when I watched the film as an adult. There are some so-bad-its-good moments in there, but there's a lot of tedium in between. Then I remembered that kid me got to see this flick hosted by our ol' pal Joe Bob Briggs.
I remembered the ending, and it is kind of aggravating, but the final shot before the fade-to-black stuck with me all these years. So...there's that.
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Post by Deleted on Apr 8, 2014 18:34:56 GMT -5
Watched "ALL THE BOYS LOVE MANDY LANE" over the weekend.
I liked it. Nice take on the "female sole survivor" thing so prevelent in horror.
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Lick Ness Monster
Dennis Stamp
From the eerie, eerie depths of Lake Okabena
Posts: 4,874
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Post by Lick Ness Monster on Apr 8, 2014 20:33:58 GMT -5
Watched "ALL THE BOYS LOVE MANDY LANE" over the weekend. I liked it. Nice take on the "female sole survivor" thing so prevelent in horror. Just did some reading up on that flick on Wikipedia. I'm a big fan of the two main actors in it (Amber Heard and Michael Welch), so I might have to give it a go. And I really wish that I could have seen the Joe Bob edition of Slaughter High. That had to have been quite the extravaganza.
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Post by Deleted on Apr 8, 2014 23:13:26 GMT -5
Watched "ALL THE BOYS LOVE MANDY LANE" over the weekend. I liked it. Nice take on the "female sole survivor" thing so prevelent in horror. Just did some reading up on that flick on Wikipedia. I'm a big fan of the two main actors in it (Amber Heard and Michael Welch), so I might have to give it a go. And I really wish that I could have seen the Joe Bob edition of Slaughter High. That had to have been quite the extravaganza. Anson Mount from that Hell On Wheel show is in it too.
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Post by Deleted on Apr 8, 2014 23:39:47 GMT -5
Watched "ALL THE BOYS LOVE MANDY LANE" over the weekend. I liked it. Nice take on the "female sole survivor" thing so prevelent in horror. Awesome movie Amber Heard is great I loved the entire ending sequence. And also the scene with them just playing along the train tracks and that song which I forget what it is were my favourite 2 scenes , I hope for a sequel because I want more that character.
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Lick Ness Monster
Dennis Stamp
From the eerie, eerie depths of Lake Okabena
Posts: 4,874
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Post by Lick Ness Monster on Apr 15, 2014 8:45:21 GMT -5
New blog review! The streak of consecutive weeks continues. Boring trivia regarding the life and times of the Lick Ness Monster: outside of pro wrestling programming, there is not a single current fictional television show that I actively watch. For a while, I was really into Castle with Nathan "Should be the new Indiana Jones" Fillion until a particular episode pissed me off to such a degree that I quit watching and have never gone back. Well, that and the whole "Beckett's mother's murder" story arc was rapidly approaching X-Files levels of banality and unnecessary convolution. Thus, I've been filling my spare time with old shows, and there is no show that I enjoy watching more currently than MeTV's reruns of Alfred Hitchcock Presents. Ahhh, [/i]Alfred Hitchcock Presents[/i]. The awesome theme music, the black and white format, the suspense stories gloriously free of anything approaching meta, the moral lessons on par with Rod Serling's eyebrows. There is some truly awesome stuff to be had from that show, and I've been gobbling it up like a meth addict. It goes without saying that Hitch is an amazing director. In my humble opinion, he's the best film director ever. And when I say "in my opinion," I do mean it in the way that Peggy Hill has the opinion that kindling is the best kind of firewood. It's really more of a known fact. The only problem with the Hitchcock kick that I've been on lately is that there are admittedly few of his films that qualify as out-and-out horror films. There's Psycho, of course, one of the two or three best and most seminal horror opuses of all time. There's also The Birds, but I've never been a particularly big fan of the Tippi Hedron period of his career. But when it comes to Frenzy, his penultimate film, not only is it a true-blue horror flick, it's also pretty damn good. PLOT: This movie has a very simple setup and wastes very little time getting the hell going. By this point, you should know that this trait has the same effect on yours truly as a tall glass of bourbon with a recovering alcoholic. A serial killer/rapist is on the loose in London, the common signature being death by garroting with neckties. See that word "signature" in the last sentence? I learned it from the book "Serial Killer Files." Reading pays, people. Anyway, the movie has what is admittedly a pretty short cast of main characters - the innocent man presumed guilty, a staple in many Hitchcock thrillers, is full on display, as well as two women connected to his life and the determined police chief who relentlessly tracks down the killer. We are even introduced to the killer fairly early on in the proceedings, a move that can be suicidal, but it is done in a very artful way here that adds to the suspense as we watch this character get involved in the life of our main hero. Anyone who has seen a serial killer film since is more than familiar with the things contained within this film, but it's hard to imagine anybody doing it better. PLOT RATING: *** 1/2 out of ****. CHARACTERS AND ACTORS: There are some films in the Hitchcock library that definitely rank as some of the truly great "character-to-cast" strokes of genius, the most notable of which being Vertigo's James Stewart-Kim Novak-Barbara Geddes trilogy of awesomeness. Frenzy is not quite up to that level, but it's close, with Barry Foster being the man who owns this film as fruit merchant Robert Rusk, the guy responsible for all the death and debauchery floating around London. Jon Finch is also aces as Dave Blaney, a personal friend of Rusk's and the aforementioned innocent man whom the police believe is guilty. Blaney has an ex-wife (Barbara Leigh-Hunt) and current girlfriend (Anna Massey) who meet their ends throughout the flick's robust 116 minutes. Of these principle leads, it's Massey as "Babs" Milligan who draws the Justin Timberlake card when it comes to acting ability. She's not bad, per se, but she adds very little. Amazingly enough, several well-known luminaries turned down various roles in this film at one point or another, and we could have just as easily had a cast of Michael Caine, David Hemmings, Vanessa Redgrave and Helen Mirren. However, I prefer what we got, as the relatively low-key cast are able to vanish into the characters and go all stealth-ninja like on your senses. CHARACTERS AND ACTORS RATING: *** 1/2 out of ****. COOL FACTOR: Frenzy was released shortly before horror became a body count game, but that doesn't mean that it can't be cool. The two main murder sequences in this film really pack an emotional, repulsing punch, and according to this guy, that is just as important as any Tom Savini-created special effects blood geyser can be. Much like all of Hitchcock's films, the visual style - most of it capturing the vibrant yet simultaneously drab (don't ask how that works) existence of London's Covent Garden district - is a sight to behold. COOL FACTOR: *** 1/2 out of ****. OVERALL: You know, of all the things that have been written about Alfred Hitchcock, the thing that I have always been most amazed at is that, for years, the guy was considered the period equivalent of a bubblegum pop movie director and nothing more. It wasn't until later analysis that film scholars held the guy up as the true genius that he is, and he deserves every bit of that praise. He didn't stay in a comfort zone throughout his incredibly long, prolific career - he changed with the times, and that is VERY evident with Frenzy. The study of serial killers was just starting to be an area of focus for major law enforcement agencies in 1972, and the horror genre itself was starting to reflect this with a marked increase in the violence level. Hitchcock embraced both things with this film but never lost his artistry. Whether you're able to get this film by itself or as part of the amazing 14-movie box set that my copy comes from, this is a flick that you can't go wrong with. OVERALL RATING: *** 1/2 out of ****. JUST misses out on being up there with the Vertigo and Psycho main event one-two punch, but is firmly in the upper midcard tier of Hitchcock films. Track this one down, kids.
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Post by Deleted on Apr 16, 2014 11:24:22 GMT -5
www.thewrap.com/friday-the-13th-reboot-vhs-director-david-brucknerDavid Bruckner seems to have been tapped for the Friday the 13th reboot. For those wondering, he's directed a 2007 film called The Signal and he directed the first segment from the AWESOME V/H/S (the one w/ the succubus in the hotel room). Soooo...if they are going found footage on this like planned, they could go a LOT worse.
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Post by 'Foretold' Joker on Apr 17, 2014 15:17:54 GMT -5
Hey Horror fans got a question. So a mate of mine who has no interest in the horror genre was given the film Laid to Rest for a present, he has subsequently handed it over to me.
Anyone know anything about it? Is it a standard slasher flick or a bit better than that? I know I could check review sites but I thought it would be more interesting to get your views.
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Post by king1836 on Apr 17, 2014 15:21:33 GMT -5
I had fond memories of seeing SLAUGHTER HIGH as a kid. Those memories were dashed to pieces when I watched the film as an adult. There are some so-bad-its-good moments in there, but there's a lot of tedium in between. Then I remembered that kid me got to see this flick hosted by our ol' pal Joe Bob Briggs. I remembered the ending, and it is kind of aggravating, but the final shot before the fade-to-black stuck with me all these years. So...there's that.
The ending got to me too.
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Post by Deleted on Apr 17, 2014 16:12:48 GMT -5
Hey Horror fans got a question. So a mate of mine who has no interest in the horror genre was given the film Laid to Rest for a present, he has subsequently handed it over to me. Anyone know anything about it? Is it a standard slasher flick or a bit better than that? I know I could check review sites but I thought it would be more interesting to get your views. It's actually one of the better "standard slasher" movies out there. The tropes and cliches are there, but it more than makes up for it in bloody mayhem. And it's mostly practical (barring a few CG moments, but it's so seamless that you'll barely know what's fake). At least check it out for the kills. Some GOOD shit there. And Chromeskull will definitely stick in your head. Not to mention, it does feature a couple known faces. (the most well-known being Lena Headley from Dredd and Game of Thrones)
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Post by DSR on Apr 17, 2014 19:06:20 GMT -5
I have the second Laid to Rest film, and it's pretty solid. A love letter to the slasher subgenre, but with supremely graphic kill scenes.
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Post by Deleted on Apr 17, 2014 19:10:43 GMT -5
Laid To Rest is an awesome movie but I prefer the sequel great set of horror movies and chrome skull definetly deserves more attention.
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Post by Deleted on Apr 17, 2014 23:51:10 GMT -5
I heard that the second one was rather blah excepting the kills.
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Post by Deleted on Apr 20, 2014 19:54:47 GMT -5
www.blu-ray.com/news/?id=13769Shout Factory (or Scream Factory if you will) is bringing Pumpkinhead (and it's sequel "Blood Wings") to Blu-Ray later this year. God, the artwork alone for that is going to be awesome enough.
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