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Post by Sir Woodrow on Nov 25, 2009 15:58:08 GMT -5
- you couldn't have afforded two seconds of SMG breasts? ;D I say that about every movie she's been in. Yes even Scooby Doo
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Lick Ness Monster
Dennis Stamp
From the eerie, eerie depths of Lake Okabena
Posts: 4,874
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Post by Lick Ness Monster on Nov 25, 2009 16:30:17 GMT -5
Alright so the last couple of nights I watch Tokyo Gore Police, The Exorcist, Suspiria and In My Skin. I also watched A Boy and His Dog, but that doesn't really apply to this thread. So here are my extremely short summed up thoughts. Tokyo Gore Police - Fraggin' awesome. I liked all these movies I watched but this is the only one where if you came over today and wanted to watch it, I'd be ready to put it right back in and watch it again. I love the weirdness and over the top cartoon violence. The Robocop style commercials and anime-inspired dispatch chick cracked me up too. The Exorcist- Believe it or not, this is the first time in my life I've ever watched more than a 5 minute segment of this movie. It's as great as it's made out to be technicality wise (acting, directing, effects, etc) BUT it's not nearly as scary as everyone makes it out to be. The whole time I watched it I just though more of "that's awesome" that being terrified. I'm just jaded I guess, but if it tells you how little it scared me I went to bed right afterwards and slept like a baby. Still one of the best horror movies I've seen though. Suspiria- I must say that, while I liked it, this is one of the most over hyped horror movies I've ever seen. Little happens in it and the final scene and battle is one of the weakest I have ever seen in horror movie history. The movie ended way to easily and way to quickly and I never even felt like the main character was in any real danger. In My Skin- Crazy movie, and I can see not everyone liking it. The Cronenberg influence is there. However, unlike the ads make it seem it's kind of small, as this really doesn't come off like a horror movie and more of a drama about someones descent into this kind of weird ass mutilation of themselves lifestyle. Also, I got the new match up on my board. I also love Tokyo Gore Police. Awesome stuff with kickass Eihi Shiina, who surprisingly plays a very good babyface after her black-as-midnight turn in Audition. I do have to disagree with you on The Exorcist and Suspiria, though. I've never seen what's so great about The Exorcist. Never fails to put me right to sleep. Suspiria, on the other hand, creeps the f*** out of me every time I watch it...ESPECIALLY that ending scene. Put yourself in the heroine's shoes during that scene, and you've got some nightmarish stuff. I can't speak for anybody else, but I've had several nightmares involving seeing things I shouldn't see, or attempting to escape from someone who doesn't see me only to make a noise and unleash the monster/monstrous person who previously didn't know I was present. It combines so many of our basic fears, which makes it effective. As for the whole final battle aspect, not a whole lot about Suspiria was conventional. As DSR once said, this movie isn't really supposed to make sense in traditional terms, and, for me, a typical slasher-style "final girl" segment would've felt woefully out of place with Suspiria. Just my $.02, Pool Man. - you couldn't have afforded two seconds of SMG breasts? ;D I say that about every movie she's been in. Yes even Scooby Doo It certainly would've made Scooby Doo watchable.
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Post by Rorschach on Nov 25, 2009 16:55:02 GMT -5
Alright so the last couple of nights I watch Tokyo Gore Police, The Exorcist, Suspiria and In My Skin. I also watched A Boy and His Dog, but that doesn't really apply to this thread. So here are my extremely short summed up thoughts. Tokyo Gore Police - Fraggin' awesome. I liked all these movies I watched but this is the only one where if you came over today and wanted to watch it, I'd be ready to put it right back in and watch it again. I love the weirdness and over the top cartoon violence. The Robocop style commercials and anime-inspired dispatch chick cracked me up too. The Exorcist- Believe it or not, this is the first time in my life I've ever watched more than a 5 minute segment of this movie. It's as great as it's made out to be technicality wise (acting, directing, effects, etc) BUT it's not nearly as scary as everyone makes it out to be. The whole time I watched it I just though more of "that's awesome" that being terrified. I'm just jaded I guess, but if it tells you how little it scared me I went to bed right afterwards and slept like a baby. Still one of the best horror movies I've seen though. Suspiria- I must say that, while I liked it, this is one of the most over hyped horror movies I've ever seen. Little happens in it and the final scene and battle is one of the weakest I have ever seen in horror movie history. The movie ended way to easily and way to quickly and I never even felt like the main character was in any real danger. In My Skin- Crazy movie, and I can see not everyone liking it. The Cronenberg influence is there. However, unlike the ads make it seem it's kind of small, as this really doesn't come off like a horror movie and more of a drama about someones descent into this kind of weird ass mutilation of themselves lifestyle. Also, I got the new match up on my board. I also love Tokyo Gore Police. Awesome stuff with kickass Eihi Shiina, who surprisingly plays a very good babyface after her black-as-midnight turn in Audition. I do have to disagree with you on The Exorcist and Suspiria, though. I've never seen what's so great about The Exorcist. Never fails to put me right to sleep. Suspiria, on the other hand, creeps the f*** out of me every time I watch it...ESPECIALLY that ending scene. Put yourself in the heroine's shoes during that scene, and you've got some nightmarish stuff. I can't speak for anybody else, but I've had several nightmares involving seeing things I shouldn't see, or attempting to escape from someone who doesn't see me only to make a noise and unleash the monster/monstrous person who previously didn't know I was present. It combines so many of our basic fears, which makes it effective. As for the whole final battle aspect, not a whole lot about Suspiria was conventional. As DSR once said, this movie isn't really supposed to make sense in traditional terms, and, for me, a typical slasher-style "final girl" segment would've felt woefully out of place with Suspiria. Just my $.02, Pool Man. I say that about every movie she's been in. Yes even Scooby Doo It certainly would've made Scooby Doo watchable. [/quote] Agreed (except for the part about EXORCIST) on this post, and your prior one, TR. You know, I have to say that I never have understood actresses agreeing to roles that call for nudity, and then once they're signed on for the part, vetoing getting naked. Looking square at you, Gellar, Fox, Lohan, and Alba. If you don't want to do nudity, maybe you ought not to take a role as a stripper, hmmm? And these "neck up" teases....that really infuriates me, since part of the catharsis of these horror movies is the release of being able to SEE taboo things, and being teased with, and ultimately cheated out of, the nudity in these films just denies that catharsis. It represses it. It also makes me wonder why American censors are so damn uptight about nudity when graphic, gory violence gets a pass in videogames, movies, TV, ect. What is more harmful? The sight of a bare breast, or the sight of someone being ripped in two by Jigsaw's trap? Damn prudish MPAA. SOOOO much can happen violence wise, and the film can earn a PG-13. But thrown in one bare boob, or one bare ass...and BAM! R-rating. And studios fear the R, so they do everything they can to get the PG-13...which ends up making an otherwise adult film seem very odd when there's MOUNTAINS of violence and blood...but the film cuts away when the lead girl drops her top to shower off all the blood on her. WTF? Anyway, that's why foriegn films are going to continue to kick the ass (quality wise, anyway) of American films for years to come. They lack the repressive thumb of the MPAA holding down their creativity. I can't be the only one who's noticed that most of the really GNARLY films nowadays, the stuff that tantalized, arouses, and excites us, and in some cases, nauseates us, comes from overseas. Of course, once it gets popular, it gets remade for American audiences with all the nasty stuff neutered/altered, bland actors/actresses, and in some cases, stupid plot alterations made just because the studios assume American audiences are too goddamn dumb to understand the complex threads of the original's plot. Oh hello there, UNINVITED. I wasn't talking about you at all. ;D
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Post by DSR on Nov 25, 2009 23:45:18 GMT -5
YOU GUYS ARE ALL PERVERTS! SICK, DISGUSTING PERVERTS! And that's why I love ya's. Seriously, though, the reason I loved horror movies as a kid (particularly the cheesiest cheese of the 80s slasher movies) was because it offered me an opportunity to see things I wasn't supposed to. Nowadays, I can fully appreciate the loveliest aspects of a woman's neck and facial features. I could sorta appreciate those things as a kid, but not as much as I was fascinated by BREASTS! See, because I was exposed (pun intended, why not?) to this kinda stuff, I've been desensitized slightly. As a fully functional heterosexual male, I still enjoy a good breast every now and....15 seconds after now, but I'm also more appreciative of the less obvious things. Wait, what was my point, again? Ah yes, everyone goes out of their way to make sure that movies are made safer for teens and stuff. But if a kid wants to see a breast, they're gonna find a way to see a friggin' breast. It's a natural part of the human body, and its stupid that they aren't readily available to the public. You know what I mean. Like one of my favorite standup comics says, "If women were forced to wear gloves, all we'd wanna see is their hands!"
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Post by Maidpool w/ Cleaning Action on Nov 26, 2009 1:23:59 GMT -5
My biggest problem with what you're saying about the girl fearing the ending of Suspiria though, TR, was the fact that she has this goofy ass grin on her face when she left the building. Don't get me wrong, I liked the movie I just thought I've seen better productions from Argento.
Also, I'm not saying it wouldn't be scary to be IN that situation, I'm just saying that as me watching it... I just see a shadow behind a bed, a zombie thing walk in, you stab the shadow in the throat and it's all over with. Even the cronies die from this! It was just WAY to easy. I'm not asking for a slasher girl ending, just something to make Helena Markos look like the the threat she was built up to be, since most of the movie is just building that up anyways. But as it stands she's easier to beat than I am!
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andrew8798
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Post by andrew8798 on Nov 26, 2009 2:19:42 GMT -5
Update on Piranha 3D
Early Thoughts on Piranha 3D from Shocktillyoudrop.com
Can't wait to see this one
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Post by Rorschach on Nov 26, 2009 4:37:56 GMT -5
"Jaws fans will also find plenty to appreciate here, from Richard Dreyfuss drunkenly singing a familiar folk song in the opening scene, "
My ticket is BOUGHT. Right there. F*****g A.
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Post by DSR on Nov 26, 2009 5:29:24 GMT -5
Well, Piranha sounds like a LOT of fun. Hopefully it retains the fun and frenzy that the review above says it has. And now, I bring you something else. There's something that's always bugged me about Thanksgiving. Lodged between the mischief and mayhem of Halloween, and the hostile takeover Christmas has recently been orchestrating on our Novembers, Thanksgiving in more recent years feels like the forgotten son of Holidays. Perhaps the best indicator of this is the lack of a Thanksgiving-themed horror movie! Halloween obviously has plenty, and there's a slew of Christmas themed horrors as well (Christmas Evil, Silent Night Deadly Night, Jack Frost). This is probably a good indicator of what a sick f*** I am, but Thanksgiving calls to mind only 2 movies for me: Planes Trains & Automobiles (admittedly not a sick movie) and... BLOOD FREAK (1972) - Sorry for the incredibly long intro. Anyway, this no-budget, Florida-based gore film was written, produced, and directed by Steve Hawkes and Brad Grinter. They also get plenty of screen time, as our film opens with Grinter waxing philosophical about catalysts of change (and he'll be showing up sporadically throughout the film to give us more little morals). The story proper concerns Herschell (Hawkes), a Vietnam vet/biker/beefy Elvis lookalike who's life is changed when he meets two attractive women: Angel, who introduces Herschell to the teachings of the Bible and lands Hersch a job, and her sister Ann, who gets Hersch addicted to marijuana ( addicted to marijuana? BOO THIS MAN!), but she also puts out, so clearly Herschell picked the right one. That job the big guy takes is at a lab/ranch, handling some experimented-upon turkeys. And when the man eats one of those turkeys as part of the ranch's research, he transforms into A FRIGGIN' WERE-TURKEY! And now, he's addicted to something else: the blood of other druggies! Will Herschell forever walk the earth gobbling up the plasma of fellow adicts? Or will the power of prayer return him to his human form? Most importantly, will Grinter be able to deliver his message about the perils of substance abuse WITHOUT struggling with a horrible cough brought on by his constant cigarette puffing?! I can answer that last one with an emphatic "NO." So yeah, a movie that's as gorey as all get-out, with a pro-Jesus, anti-drug message, and a walking, gobbling turkey-monster. I honestly have no idea how people so vehemently against drugs could come up with such a premise! At any rate, yes, the writing in this film is incredibly horrible (as if you couldn't tell). The acting follows suit, as the people on screen fail to convey any emotion at all. The editing appears to have been accomplished with a cheesegrater, and the audio sounds like they recorded about 3 different 10-second screams, and just repeat them for the duration of a 5 minute scene. Across the board, this is a bad movie. But, aside from a lack of action in the first half, its a fairly entertaining bad movie. This is pretty much the definition of a trainwreck (well, after a wreck involving trains, of course). And as you view it, you just have to wonder how such a movie came to exist. 3 stars out of 5, for all the wrong reasons, of course. The first half is a drag, but the second half is fine holiday viewing. And as an aside ('cause this wasn't a long enough post already) that turkey-monster head probably would've been effective if used in a somewhat surreal slasher movie, a la STAGEFRIGHT's owl mask. It's a fairly creepy looking mask, and under different circumstances, it might've actually worked.
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Lick Ness Monster
Dennis Stamp
From the eerie, eerie depths of Lake Okabena
Posts: 4,874
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Post by Lick Ness Monster on Nov 26, 2009 8:51:45 GMT -5
Here I was hoping that somebody in here would review Blood Freak. I've never seen the film, and was mightily impressed when the Were-Turkey showed up in Pool's horror villains tournament and I had no idea who the hell I was supposed to be looking at.
Certainly sounds like a phenomenally bad but phenomenally fun little motion picture, DSR.
Also, happy Thanksgiving, everyone. Know what I spent LAST year's Thanksgiving doing? Watching Nightmare on Elm Street 4 and 5 so I could review them in the sequel to Erisi's "Random Thoughts" thread. ;D This year I'm going for the traditional approach - dinner at noon followed by football from approximately 12:45 until I pass out.
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ICBM
King Koopa
Didn't know we did status updates here now
Posts: 12,288
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Post by ICBM on Nov 26, 2009 10:27:35 GMT -5
Speaking of Wes Craven, I just read that Scream 4 will start filming in the spring
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andrew8798
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Post by andrew8798 on Nov 27, 2009 8:34:43 GMT -5
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Post by YellowJacketY2J on Nov 27, 2009 9:10:04 GMT -5
Why not just make a sequel?
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Post by YellowJacketY2J on Nov 27, 2009 12:08:37 GMT -5
Just watched Equinox with my neighbor. Very fun cheesy satanic/monster romp. The stop-motion effects were surprisingly very good, given the low budget and 1970 release date.
If you're looking for a fun, cheesy b-movie to watch with your buddies or yourself (and who here isn't?), Equinox is a perfect choice.
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Lick Ness Monster
Dennis Stamp
From the eerie, eerie depths of Lake Okabena
Posts: 4,874
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Post by Lick Ness Monster on Nov 27, 2009 21:46:30 GMT -5
Why not just make a sequel? My thoughts exactly, Y2J. I groaned a few months ago when a list of possible remakes floated around the internet and The Matrix was included on the list. A movie not even ten years old getting the remake treatment? But a remake OF a remake that was released this decade is just masturbation of the highest degree.
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Post by tap on Nov 27, 2009 23:05:05 GMT -5
Would anyone here count Lars von Trier's "Antichrist" to be horror? If so, I may just type up a review on it, I haven't decided yet.
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Post by DSR on Nov 28, 2009 0:20:22 GMT -5
Would anyone here count Lars von Trier's "Antichrist" to be horror? If so, I may just type up a review on it, I haven't decided yet. Well, I haven't seen it. But, if you can work into your review an argument for why you think it should count as a horror movie, I'd be more than willing to read it. Just my 2 cents.
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Post by Rorschach on Nov 28, 2009 19:30:26 GMT -5
Review time again, folks! This time, it's a heapin' helpin' of killer baby madness called IT'S ALIVE! IT'S ALIVE (2008) Directed by: Josef Rusnak Starring: Bijou Phillips, James Murray, and Owen Teale I'm sure everyone here is familiar with (if they don't remember it outright) the original 1974 version of IT'S ALIVE directed by Larry Cohen, with Sharon Farrell and John P. Ryan in the roles of the parents of a genetic monstrosity which gets loose in the hospital and wreaks unbelievable carnage on any and everyone who frightens or threatens it. In this new millennium update by director Josef Rusnak, we get the very lovely (and very willing to get naked) Bijou Phillips in the role of Lenore Harker. See, Lenore is a perky college student whose fling with an older architect named Frank Davis (James Murry) has left her pregnant and about to drop out of school to give birth. She plans on starting a new, perfect life with Frank, and returning to school as soon as her baby is old enough to allow her to do so. Right away we see that there's tension between Lenore and her roommate, who is not at all happy that Lenore has chosen to keep the baby and quit school, especially since Lenore is so close to getting her degree, graduating, AND getting a dissertation published. You know, girlfriend kinda DOES have a point. But I digress. Anyway, before you know it, Lenore has her things packed, and is arriving at Frank's house (which we're told that he built himself, a plot thread the film never does ANYTHING with, really). The hugely pregnant Lenore complains that she needs to freshen up after the long drive, and we get a shower scene where the movie's editors give us an unintentionally funny gaffe. See, when she had clothes on, Bijou Philips looked about to explode, she was so big. Nude and in the shower, she (or more than likely, her body double) looks MUCH less pregnant. We get alternating cuts of Bijou's breasts (which are indeed VERY nice to look at) and then shots of the stand in's belly...which goes on just long enough to be a continuity error before Lenore goes into early labor, and we're on our way to the hospital. Once there, it's not long before we get another pregnancy-themed movie cliche', that of the mother who knows something isn't right, yet whose doctors act as if she's not even talking to them. With the amount of times this gets used in pregnancy-themed horror films, you'd think most of these hospitals would be sued out of existence. Ah well. Lenore tries to tell the doctors that she feels something is wrong with the baby, and that they should stop her contractions...but they brush her aside and deliver the baby via C-section anyway. Big mistake, as little Daniel (that's the name that Lenore gives the monstrous little beast) comes into the world carrying a sack full of whoop ass that he unleashes on the entire delivery room. We don't see the slaughter, but after an intern drops by to check on how the delivery is going, we see the aftermath, and here is where either the movie is going to engage you, or lose you completely. See, the delivery room looks WORSE than the Nostromo did after the Alien went berserk and slaughtered everyone. Blood literally paints the observation windows, and is flooding the floor of the delivery room, and the only things alive on the other side of the door from the intern are Lenore and her baby. This newborn infant, at only MINUTES old, killed five adults in spectacularly bloody fashion, spraying gouts of claret onto every surface, and then had the strength to climb back onto his mother's belly and curl up like a little kitten. Hoooo-kay. But, since I knew what I was getting into with this film, I'm not going to crap on that aspect of the movie. You gotta suspend your disbelief and roll with the silly crap here, folks. And there's where the wheels come off. See, in this version of the film, things are played so straight, and for such dramatic effect, that the inherent silly nature of this movie clashes badly with the dour tone. I mean, you have a killer INFANT. The absurdity of that alone ought to be enough to tell you you have to inject some levity in there somewhere. Contrast this with Paul Solet's excellent GRACE, which had a baby that craved human flesh and blood, and whose MOTHER had to provide that somehow...and you see the stark difference. GRACE was a film that needed, and had, a serious tone. The baby wasn't stalking people, crawling around and killing. It was a film about how, much like old Fred Gwynne admonished us so many years ago, "sometimes dead is better". In IT'S ALIVE, we have the opposite side of that same coin. This is a movie that needed a comedic side a mile wide, and a sense of humor to match it's silly premise. Lacking that, we get scenes of Bijou Philips trying, and failing, to pull off Lifetime Network Movie of the Week levels of Postpartum Depression Mom character, and James Murray playing Oblivious Dad who hasn't clue one that his wife has...deteriorated mentally. See, it's not long after the Montana Delivery Room Massacre that Lenore and Frank bring baby Daniel home to meet his new uncle (Frank's brother Chris, a twelve year old who is an invalid after surviving a fire that claimed HIS family, and who lives with Frank.....FEEL THE FORESHADOWING!) and see his new home...and bizarre things start happening with the baby. For example, rats, birds and other wildlife (including the family cat) come up missing, and Chris gets skeeved out just looking at Lenore holding the baby. Which turns out to be all she really wants to do, for some reason. No one else can come near Daniel without Lenore becoming paranoid and upset, and she angrily shoos Chris away when he tries to peek in Daniel's crib to get a look at the baby. The film keeps Daniel's face hidden for most of the film until the climax, which I thought strange since we get a clear shot of this normal looking baby in the hospital scene. So again, it's a gaffe on the movie's part when we see the mutated, monstrous Daniel at the end and he looks NOTHING like the baby we saw in Lenore's arms at the hospital. You'd think someone might have noticed that in post production, eh? Anyway, as the film goes on (it's only 85 minutes, but it felt a lot longer to me) the officer investigating the Montana Delivery Room Massacre name Sgt. Perkins (played well by Owen Teale) targets Lenore since she's the only living witness to the crime that can testify what happened. He thinks (correctly) that she knows more than she's letting on. He wants to have her hypnotized so she can be properly questioned about the events of that day. Needless to say, Lenore has no desire to divulge what she knows. She doesn't want her freak of a baby taken away, and so she stonewalls Sgt. Perkins, and withdraws even more deeply into her own misery. The police's hypnotist decides at that point to make a private house call on Lenore, and he ends up meeting a grisly end at Daniel's tiny hands. Now, instead of a cat carcass, or a dead rat or bird, Lenore has a full grown dead human being on her hands to dispose of, which she does pretty readily, and without much obvious distress. Things aren't so easy when that same roommate from college named Marnie (and her boyfriend) show up on Lenore's doorstep. Marnie demands to know why calls, letters, and emails from not only her, but the Dean of the college are going unanswered. Lenore explodes on her friend, telling her off and kicking her out of the house. Marnie heads back to her car, and notices her boyfriend is not there waiting on her as he was told to do. By the way, I'm using the generic term "Boyfriend" because, really,he isn't a character, he's pretty much cannon fodder. Seems he went poking around back behind the house, and Daniel was lying in wait in the bed of an old pickup, buried under some tree branches. Again, the movie goes into over the top ridiculousness, and Daniel, despite being only weeks old, is strong enough to kill a full grown man, and THEN drag the carcass into the truck bed and bury it underneath the heavy branches. Anyways, eye-rolling aside, Marnie too investigates this truck, which is now covered in blood, and she too falls victim to the Toddling Terror in a spray of blood not seen since MACHINE GIRL. Lenore hears Marnie's scream this time, and runs outside to find the scene of absolute nastiness Daniel has created. So now she has two more bodies to dispose of, and this time they belong to her former friends. But she still won't go to the authorities with what she knows. Deeper into madness, depression, and despair she goes, until one night she confesses to Frank, in a fit of tears, that she tried to abort the baby early in her pregnancy, but the pills she ordered from the Internet (with roommate Marnie egging her on) didn't work, and only made her violently sick, after which time she decided to keep the baby. Two things here: 1) WOW. Your Baby-B-Gone that you ordered from the Internet DIDN'T work? Color me shocked. Girls this stupid really...really ought to be kept away from computers. I mean, I know it's not that far fetched to think that a girl who is young, scared, and pregnant might order some shady s*** from the net...but one that's about to graduate COLLEGE, and has taken medical courses? Come the hell on now. 2) So we're now supposed to believe that this woman who was not at all hesitant to chemically poison her unborn kid to death, having failed that, is averse to getting an actual abortion? Ummm....no. And beyond that, she was OK with having not KILLED this child, but potentially crippling/retarding/disfiguring it was jim dandy with her? See, this makes the Lenore character either totally despicable and irredeemable (as if her eagerness to cover up her son's murders hadn't already done that), or flat out stupid herself. YEESH. IT'S ALIVE had a lot of potential to be a campy, cheesy redux of a horror movie long forgotten. But that potential is squandered in an attempt to play it straight that fails miserably. {Spoiler}This movie ends with a house fire that kills both the little Frankenstein, and his crazy ass momma. After watching this film, I sort of wish they would have thrown it in the burning house too, and started from scratch with a sense of humor firmly in tow. ** (And the second star is for Bijou's nude shower scene. You earned that star for that one, girl. Too bad it wasn't a part of a better movie, or a more fun one.)
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Ken Ivory
Hank Scorpio
This sorta thing IS my bag, baby.
Posts: 5,282
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Post by Ken Ivory on Nov 28, 2009 20:18:40 GMT -5
Here I was hoping that somebody in here would review Blood Freak. I've never seen the film, and was mightily impressed when the Were-Turkey showed up in Pool's horror villains tournament and I had no idea who the hell I was supposed to be looking at. Certainly sounds like a phenomenally bad but phenomenally fun little motion picture, DSR. . I remember reading an article about Blood Freak in Fangoria a few years back (I originally got the issue as it's cover story was Freddy Vs Jason which I was pumped about) and it sounded like a good laugh. i think the colum was a "wrestlecrap" type piece that covers the best of the worst of horror. Must try and dig it out.
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Jiren
Patti Mayonnaise
Hearts Bayformers
Posts: 35,163
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Post by Jiren on Nov 28, 2009 20:29:42 GMT -5
I was watchin Troll 2 the other day, and I couldn't stop laughing at the fact the Mum looks like Tobin Bell in drag.
I kept wanting her to say "Hello Joshua, Were going to play a little game"
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Ken Ivory
Hank Scorpio
This sorta thing IS my bag, baby.
Posts: 5,282
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Post by Ken Ivory on Nov 28, 2009 20:36:19 GMT -5
I was watchin Troll 2 the other day, and I couldn't stop laughing at the fact the Mum looks like Tobin Bell in drag. I kept wanting her to say "Hello Joshua, Were going to play a little game" "I'm not actually a woman....I'm a man.....actually, I'm really a horse......but really I'm a broom"
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