Deleted
Deleted Member
Posts: 0
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Post by Deleted on Mar 29, 2020 4:01:48 GMT -5
WWE's production is basically exactly what you get when you have production headed by someone who hasn't actually learned anything or expanded their skillset any in well over 20 years whose only attempts to modernize have been buying more cameras, doing a shit-ton of shaky cam, and putting LED boards everywhere. So. Many. LED. Boards.
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4real
Wade Wilson
Posts: 27,692
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Post by 4real on Mar 29, 2020 8:15:01 GMT -5
Can’t wait to see them cut to an empty chair as Edge Spears Orton at Mania.
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Post by Slingshot Suplay on Mar 29, 2020 8:59:20 GMT -5
They got Borash there who was used to making magic with very few assets in TNA, and have the luxury now of being able to experiment with new things without the crowd shitting on it, but no, let's do the same Dunn stuff we always do.
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Post by Heinz Doofenschmirtz on Mar 29, 2020 9:33:16 GMT -5
WWE's production is basically exactly what you get when you have production headed by someone who hasn't actually learned anything or expanded their skillset any in well over 20 years whose only attempts to modernize have been buying more cameras, doing a shit-ton of shaky cam, and putting LED boards everywhere. It's the production equivalent of Lars Ulrich's drumming.
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Post by The Dark Order Inferno on Mar 29, 2020 9:56:34 GMT -5
Dunn only knows one way of doing things, he's training his minions so they only know the one way of doing things. They're training a generation of wrestlers to only know how to function in that environment and when the unexpected hits, nobody involved can adapt. They have people who can help, but they won't let them, heaven forbid Dunn relinquish any influence backstage.
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Post by Can you afford to pay me, Gah on Mar 29, 2020 13:25:29 GMT -5
It is amazing how much a decline it gone on how camera angles are not smooth. How it seems every thing they do, is well we need more LED boards. Lets add the VR thing so we have a big Chocolate Roman Reigns on the screen for people watching at home.
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Post by flakeymcgill on Mar 29, 2020 16:44:58 GMT -5
I think the whole production could do with feeling less smooth. It should be grittier and engaging. A big appeal of watching a live show is that things can happen, the unexpected, the unintended. For the last decade or more every single Raw looks like it was recorded months in advance and painstakingly edited to the point of perfection. The end result is everything looks sanitised, generic and corporate. But it's wrestling. People want excitement and unpredictability and something that seems real.
Nothing zones me out of the product than a camera angle sequence clearly pre-planned with the wrestlers to make sure that every angle of a particular move done in a particular part of the ring is caught perfectly. In sports if someone executes an excellent passage of play it'll get caught on camera, but they won't have 4 different camera's trained on that one area of the field to make it look as if the production team had forewarning that in the 18th minute of the game, in that particularly 4 yard area of the pitch, that it would happen.
WWE's production is the television equivalent of perfecting a rice cake; aesthetically flawlessness but as exciting as the idea of licking your own shoe.
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