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Post by Toom E. Guci on Jun 14, 2009 2:56:31 GMT -5
It's only $23.89 & I been wanting it for a long time. This is the only time I have ever found it, too!
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Post by Janitor From Mars on Jun 14, 2009 2:59:17 GMT -5
Why not? You only live once!
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Post by thesam07 on Jun 14, 2009 3:10:24 GMT -5
I heard it's all right.
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CAUSE I'M SAVED BY THE BELL!
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Professor Chaos
Bill S. Preston, Esq.
Bringer of Destruction and Maker of Doom
Posts: 16,332
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Post by Professor Chaos on Jun 14, 2009 3:23:55 GMT -5
Sounds like a lot of money for a CD. But if you want it that bad go for it.
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Klutch
Unicron
Not so good at that whole noticing thing.
Posts: 3,115
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Post by Klutch on Jun 14, 2009 8:39:33 GMT -5
Hell why not, you deserve it!!!!
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Post by willywonka666 on Jun 14, 2009 8:43:57 GMT -5
It's gotten really good reviews..like this one...
A universally acknowledged masterpiece, Saved by the Bell represents a departure from song structure and toward a more ethereal, minimalistic approach to sound. Despite the stripped-down arrangements, the album's sumptuous tone quality reflects Mark-Paul Gosselaar's growing virtuosity at handling the recording studio as an instrument in itself (à la Brian Wilson). There are a few pop songs scattered here and there ("Saved by the Bell
," "Surfer Dude," "Deep Within My Heart"), but most of the album consists of deliberately paced instrumentals which, while often closer to ambient music than pop, are both melodic and rhythmic; many, like "Go for It," "Did We Ever Have a Chance," and "Gone Hawaiian," are highly imagistic, like paintings done in sound which actually resemble their titles. Lyrics are infrequent, but when they do pop up, they follow the free-associative style of albums past; this time, though, the humor seems less bizarre than gently whimsical and addled, fitting perfectly into the dreamlike mood of the rest of the album. Most of Saved by the Bell is like experiencing a soothing, dream-filled slumber while awake, and even if some of the pieces have dark or threatening qualities, the moments of unease are temporary, like a passing nightmare whose feeling lingers briefly upon waking but whose content is forgotten. Unlike some of his later, full-fledged ambient work, Mark-Paul Gosselaar's gift for melodicism and tight focus here keep the entirety of the album in the forefront of the listener's consciousness, making it the perfect introduction to his achievements even for those who find ambient music difficult to enjoy.
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mrrotten
Don Corleone
The #1 Kaneinite
Posts: 2,066
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Post by mrrotten on Jun 14, 2009 9:36:39 GMT -5
I've got a feeling that my 2 sisters would pay atleast that much for that cd.
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bob
Salacious Crumb
The "other" Bob. FOC COURSE!
started the Madness Wars, Proudly the #1 Nana Hater on FAN
Posts: 78,524
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Post by bob on Jun 14, 2009 12:43:02 GMT -5
if you can afford it and want it go for it
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Post by MiLo Duck on Jun 14, 2009 15:36:08 GMT -5
Buy two and fashion one into a belt buckle to assert dominance over all lesser beings that do not own even one!
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Post by Paul Servo on Jun 14, 2009 16:09:17 GMT -5
It's gotten really good reviews..like this one... A universally acknowledged masterpiece, Saved by the Bell represents a departure from song structure and toward a more ethereal, minimalistic approach to sound. Despite the stripped-down arrangements, the album's sumptuous tone quality reflects Mark-Paul Gosselaar's growing virtuosity at handling the recording studio as an instrument in itself (à la Brian Wilson). There are a few pop songs scattered here and there ("Saved by the Bell ," "Surfer Dude," "Deep Within My Heart"), but most of the album consists of deliberately paced instrumentals which, while often closer to ambient music than pop, are both melodic and rhythmic; many, like "Go for It," "Did We Ever Have a Chance," and "Gone Hawaiian," are highly imagistic, like paintings done in sound which actually resemble their titles. Lyrics are infrequent, but when they do pop up, they follow the free-associative style of albums past; this time, though, the humor seems less bizarre than gently whimsical and addled, fitting perfectly into the dreamlike mood of the rest of the album. Most of Saved by the Bell is like experiencing a soothing, dream-filled slumber while awake, and even if some of the pieces have dark or threatening qualities, the moments of unease are temporary, like a passing nightmare whose feeling lingers briefly upon waking but whose content is forgotten. Unlike some of his later, full-fledged ambient work, Mark-Paul Gosselaar's gift for melodicism and tight focus here keep the entirety of the album in the forefront of the listener's consciousness, making it the perfect introduction to his achievements even for those who find ambient music difficult to enjoy. If Mark-Paul Gosselaar did ineed play on this albulm, this is a must buy |
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