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Post by Baixo Astral on Aug 15, 2011 10:11:11 GMT -5
If I had to have a short excerpt of a song played to explain what I life in a song, here it is - between 4:00 and 5:00. Just triumphant.
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Post by hypnoticgenes on Aug 15, 2011 10:16:42 GMT -5
*Silence* *Drum* AND IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII.......
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Post by Baixo Astral on Aug 15, 2011 10:20:24 GMT -5
*Silence* *Drum* AND IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII....... HAAAAAVVVVVEEEEEE... NOOOOOOO BUUUUUUUTTTTTTTT... TOOOOOOO SPPPPPEEEEEAAAAAKKKKK OFFFFFFFFFFFFFFFF |
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Post by Pgarodactyl on Aug 15, 2011 11:30:16 GMT -5
ONE TWO THREE FOUR!!
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Post by Young Game on Aug 15, 2011 11:49:49 GMT -5
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Post by Vanilla Gorilla on Aug 15, 2011 12:08:30 GMT -5
The first 30 seconds and from 2:29 - 3:37  Edit: Also, when the drums first kick in during Paradise City. |
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"Hollywood" Cactus Matt
Bill S. Preston, Esq.
You couldn't ask for a better custom title!
How do you spell "Goddess"? C-H-R-I-S-T-Y!
Posts: 15,300
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Post by "Hollywood" Cactus Matt on Aug 15, 2011 12:50:08 GMT -5
The opening bass line, followed up by the synth intro, on Ozzy's No More Tears.
I always thought that would be good intro music for a wrestler, especially walking out as soon as the keyboard or whatever kicks in.
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Deleted
Deleted Member
Posts: 0
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Post by Deleted on Aug 15, 2011 12:53:12 GMT -5
The opening bass line, followed up by the synth intro, on Ozzy's No More Tears. I always thought that would be good intro music for a wrestler, especially walking out as soon as the keyboard or whatever kicks in. Ironically enough, I think the same thing, instead with Perry Mason. |
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Post by King Boo on Aug 15, 2011 12:56:02 GMT -5
The first 30 seconds and from 2:29 - 3:37 Edit: Also, when the drums first kick in during Paradise City.  ! 3:10-3:26. Axl just kills it. The pain in his voice is palpable. |
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Post by MGH on Aug 15, 2011 13:04:44 GMT -5
The first 30 seconds and from 2:29 - 3:37 Edit: Also, when the drums first kick in during Paradise City. ! 3:10-3:26. Axl just kills it. The pain in his voice is palpable. Along those same GnR lines: |
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Post by Hit Girl on Aug 15, 2011 13:06:30 GMT -5
The end piece from "Mr Blue Sky"
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Yami Daimao
Patti Mayonnaise
Really, really wants to zigazig ah!
Posts: 31,784
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Post by Yami Daimao on Aug 15, 2011 13:12:04 GMT -5
While we're on GNR, the whistle into the awesome heavy section in the beginning of "Paradise City". I end up doing that little dance Axl does in the video every time I hear it. ;D
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Deleted
Deleted Member
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Post by Deleted on Aug 15, 2011 13:18:08 GMT -5
Bass solo at the end. Why is it that we can't get more of those in most music? It's not like the bass guitar is a rare instrument or anything.
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Post by Baixo Astral on Aug 15, 2011 13:42:11 GMT -5
Bass solo at the end. Why is it that we can't get more of those in most music? It's not like the bass guitar is a rare instrument or anything. Beautiful, mang, beautiful. 1:05 onward - Uffie might be the good Ke¢ha, but this would be nothing without Justice's triumphant techno work (which is better than Daft Punk, imho). |
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Post by King Boo on Aug 15, 2011 13:52:21 GMT -5
While we're on GNR, the whistle into the awesome heavy section in the beginning of "Paradise City". I end up doing that little dance Axl does in the video every time I hear it. ;D I like to bust out the serpentine dance whenever it's appropriate. Sometimes when it's not lol. |
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Deleted
Deleted Member
Posts: 0
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Post by Deleted on Aug 15, 2011 14:35:23 GMT -5
Bass solo at the end. Why is it that we can't get more of those in most music? It's not like the bass guitar is a rare instrument or anything. Beautiful, mang, beautiful. 1:05 onward - Uffie might be the good Ke¢ha, but this would be nothing without Justice's triumphant techno work (which is better than Daft Punk, imho). I prefer Justice too, but I don't even know how they can be compared. Daft Punk basically just follows a continuation of 90's-style house mixed the sampling to piece everything together, and Justice is way more disco-influenced and uses a ton of heavy basslines and distorted synth. That's kind of their signature, actually. Nobody quite puts songs together in the same way that they do, so any five seconds of almost anything they've made is instantly memorable (even if you don't like it  ). Not Justice, but another electronic song with a section I really like: Love the last part of the intro on this ( 0:46-1:16, approx). |
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pegasuswarrior
El Dandy
Three Time FAN Idol Champion
@PulpPictionary
Posts: 8,748 
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Post by pegasuswarrior on Aug 15, 2011 15:51:58 GMT -5
6:20 onward to the end. Or, you know, the whole 7 minutes-plus--that works for me too.
1:45 - end
About as close to perfect with music/vocal layering and use of dynamics as anything else I can think of off the top of my head. I really just don't know how you even discover that melody and combination of vocal notes as an artist. I just marvel at how they ever found that as an option musically/vocally. It's all over the freaking place at times. (Not that they are impossible vocals--just speaking from a composition standpoint.)
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Red Lion
Dennis Stamp
Put your mask on!
Posts: 4,002
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Post by Red Lion on Aug 15, 2011 17:27:12 GMT -5
Master, master, where's the dreams that I've been after?
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Jazzman
King Koopa
Trombone Shorty > Your Favorite Musician
Posts: 11,231
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Post by Jazzman on Aug 15, 2011 17:40:53 GMT -5
If there is one thing I love in music it's either callbacks or transitions. Hands down the best transition in rock is the one in Eric Clapton's version of Layla.
And one of my favorite more recent callbacks is Coldplay's "Death and All His Friend" Besides a sweet transition the end of the track calls back to "Life In Technocolor", the opening track on Viva La Vida, with "Death" is the closing track of.
And finally, a personal mark-out for me. I was riding a car with a friend of mine yesterday when I heard the riff at the beginning of this song, and I was taken back to a different time and place. It's one of the best piano riffs in a song I've ever heard and it rules so hard. It's "Brick" by Ben Folds Five
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