Nr1Humanoid
Hank Scorpio
Is the #3 humanoid at best.
Posts: 5,484
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Post by Nr1Humanoid on Jul 16, 2019 17:04:17 GMT -5
Would You Rather 2012
Sat down somewhat blindly to this one, only catching the overall tone before hand.
Excellent movie. Great psychology evoked, tension galore and wonderfully gruesome. Thankfully the more squirm inducing stuff was left up to the imagination.
Great cast for the most part, the standout as usual being old Herbert himself.
And I applaud a movie that makes me wanting to see the villains get their comeuppance replaced by a desire to see the so call heroine get hers. And she did, though how was pretty obvious and no surprise.
This was the second film only where I wanted to see a decent character die just so someone else would get what they deserve.
Top notch picture.
5 punctured eyeballs out of 5.
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Post by Jumpin' Jesse Walsh on Jul 20, 2019 9:04:45 GMT -5
My review of Blood Feast (1963)
You really gotta hand it to Herschel Gordon Lewis. He saw the movie business exactly for what it is: a business. When he noticed the mouths of moviegoers were watering for bloody violence in a post-Psycho world, he capitalized on it and created Blood Feast, a slapdash effort whose sole draw was to splatter Hunt’s Ketchup all over the screen. It was such an obvious money grab. And yet, somehow, for a film that’s so determinedly artless, Blood Feast is way more fun and hilarious than a billion other films trying to be that way.
The acting is so Z-grade the I’m shocked a product like this was considered releasable. I acted in high school plays with better acting. Heck, I probably gave a better performance than anyone here. But, wow, does it accomplish the rare feat of being so incompetent that it comes to back around to being excellent. Fuad Ramses is easily quotable as a Bela Lugosi knockoff. Suzette and Dorothy Freemont may be the flakiest human beings alive but churn out some of the film’s most side-splitting lines. Also, I can’t think of a scene that better captures the appeal of this film than the one where a mother grieves her recently murdered daughter and it sounds like she’s suffocating with laughter.
I should probably mention the gore, which is the reason why it was made in the first place. It’s pretty easy to scoff at it now. However, in the context of 1963, it’s pretty radical stuff. The obvious highlight is when Ramses rips out of a woman’s tongue (in reality a rotten sheep’s tongue, which I find to be just as gross). Lewis would reach greater creative highs in the kill category with work like Two Thousand Maniacs and The Wizard of Gore. The plot of Feast is the most sickening of his oeuvre, however. The quality of gore effects may distract you from that fact, but a severed human leg cooking in an oven still isn’t that will whet your appetite.
While the gore is meant to be the real shock here, I’m much more stricken by the film’s honesty. It’s not even pretending to be good. It knows what you want and delivers exactly that, cutting out any fluffy backstory or character development that could’ve distracted from that point. Rarely did a film ever before just outright say in so many words that it’s exploiting your sick, sad need for cinematic violence for shameless profit. You don’t have to like that, or even respect it, but it definitely makes its intentions loud and clear. The Eli Roths of the world should certainly be thankful.
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Post by KAMALARAMBO: BOOMSHAKALAKA!!! on Jul 20, 2019 9:50:20 GMT -5
My review of Blood Feast (1963) You really gotta hand it to Herschel Gordon Lewis. He saw the movie business exactly for what it is: a business. When he noticed the mouths of moviegoers were watering for bloody violence in a post- Psycho world, he capitalized on it and created Blood Feast, a slapdash effort whose sole draw was to splatter Hunt’s Ketchup all over the screen. It was such an obvious money grab. And yet, somehow, for a film that’s so determinedly artless, Blood Feast is way more fun and hilarious than a billion other films trying to be that way. The acting is so Z-grade the I’m shocked a product like this was considered releasable. I acted in high school plays with better acting. Heck, I probably gave a better performance than anyone here. But, wow, does it accomplish the rare feat of being so incompetent that it comes to back around to being excellent. Fuad Ramses is easily quotable as a Bela Lugosi knockoff. Suzette and Dorothy Freemont may be the flakiest human beings alive but churn out some of the film’s most side-splitting lines. Also, I can’t think of a scene that better captures the appeal of this film than the one where a mother grieves her recently murdered daughter and it sounds like she’s suffocating with laughter. I should probably mention the gore, which is the reason why it was made in the first place. It’s pretty easy to scoff at it now. However, in the context of 1963, it’s pretty radical stuff. The obvious highlight is when Ramses rips out of a woman’s tongue (in reality a rotten sheep’s tongue, which I find to be just as gross). Lewis would reach greater creative highs in the kill category with work like Two Thousand Maniacs and The Wizard of Gore. The plot of Feast is the most sickening of his oeuvre, however. The quality of gore effects may distract you from that fact, but a severed human leg cooking in an oven still isn’t that will whet your appetite. While the gore is meant to be the real shock here, I’m much more stricken by the film’s honesty. It’s not even pretending to be good. It knows what you want and delivers exactly that, cutting out any fluffy backstory or character development that could’ve distracted from that point. Rarely did a film ever before just outright say in so many words that it’s exploiting your sick, sad need for cinematic violence for shameless profit. You don’t have to like that, or even respect it, but it definitely makes its intentions loud and clear. The Eli Roths of the world should certainly be thankful. I’m barely keeping myself from getting that 14 movie UK Blu-Ray box set of Lewis films. Maybe when I go back to working an obscene amount of overtime. Also, I’ll throw in there when I worked as a reporter I contacted Lewis for an article on unrated films and he got back to me almost instantly. Really professional guy. I wish I could have interviewed him for more stuff before he passed.
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Post by Jumpin' Jesse Walsh on Jul 20, 2019 10:39:45 GMT -5
Time Magazine once listed Blood Feast as one of the 25 best horror movies of all time.
Let's appreciate that for a moment.
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Post by KAMALARAMBO: BOOMSHAKALAKA!!! on Jul 21, 2019 0:42:58 GMT -5
Just watched Zombie Lake (1981). How it has a 3.0 on IMDB is baffling to me. I’ve seen a lot of shit shows and I wouldn’t call this one of them. It has a clear plot, a decent amount of action, and enough wool to make a few sweaters.
Oasis of the Zombies is only 0.5 points lower at 2.5 and that is an out and out shit show.
Zombie Lake deserves at least a 5.0. It may not be conventionally good, but it has all the elements that make a bad movie really fun to watch.
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Ultimo Gallos
Grimlock
Dreams SUCK!Nightmares live FOREVER!
Posts: 14,400
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Post by Ultimo Gallos on Jul 21, 2019 17:14:14 GMT -5
My review of Blood Feast (1963) You really gotta hand it to Herschel Gordon Lewis. He saw the movie business exactly for what it is: a business. When he noticed the mouths of moviegoers were watering for bloody violence in a post- Psycho world, he capitalized on it and created Blood Feast, a slapdash effort whose sole draw was to splatter Hunt’s Ketchup all over the screen. It was such an obvious money grab. And yet, somehow, for a film that’s so determinedly artless, Blood Feast is way more fun and hilarious than a billion other films trying to be that way. The acting is so Z-grade the I’m shocked a product like this was considered releasable. I acted in high school plays with better acting. Heck, I probably gave a better performance than anyone here. But, wow, does it accomplish the rare feat of being so incompetent that it comes to back around to being excellent. Fuad Ramses is easily quotable as a Bela Lugosi knockoff. Suzette and Dorothy Freemont may be the flakiest human beings alive but churn out some of the film’s most side-splitting lines. Also, I can’t think of a scene that better captures the appeal of this film than the one where a mother grieves her recently murdered daughter and it sounds like she’s suffocating with laughter. I should probably mention the gore, which is the reason why it was made in the first place. It’s pretty easy to scoff at it now. However, in the context of 1963, it’s pretty radical stuff. The obvious highlight is when Ramses rips out of a woman’s tongue (in reality a rotten sheep’s tongue, which I find to be just as gross). Lewis would reach greater creative highs in the kill category with work like Two Thousand Maniacs and The Wizard of Gore. The plot of Feast is the most sickening of his oeuvre, however. The quality of gore effects may distract you from that fact, but a severed human leg cooking in an oven still isn’t that will whet your appetite. While the gore is meant to be the real shock here, I’m much more stricken by the film’s honesty. It’s not even pretending to be good. It knows what you want and delivers exactly that, cutting out any fluffy backstory or character development that could’ve distracted from that point. Rarely did a film ever before just outright say in so many words that it’s exploiting your sick, sad need for cinematic violence for shameless profit. You don’t have to like that, or even respect it, but it definitely makes its intentions loud and clear. The Eli Roths of the world should certainly be thankful. I’m barely keeping myself from getting that 14 movie UK Blu-Ray box set of Lewis films. Maybe when I go back to working an obscene amount of overtime. Also, I’ll throw in there when I worked as a reporter I contacted Lewis for an article on unrated films and he got back to me almost instantly. Really professional guy. I wish I could have interviewed him for more stuff before he passed. I wish I had thought to contact Lewis. If you don't have it the Something Weird Video Blu ray release with Blood Fest,2000 Maniacs and Color Me Blood red is really good. Has commentaries on each film. Piles of extras and they look amazing. I hear people bitching about this release cause it isn't framed the way they think the films should be. But if HG Lewis approved of the framing I am good. Years ago on Turner Underground show they showed Blood Fest. Was interesting watching the host go into detail on the history of Blood Fest and gore films in general.
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Ultimo Gallos
Grimlock
Dreams SUCK!Nightmares live FOREVER!
Posts: 14,400
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Post by Ultimo Gallos on Jul 21, 2019 18:07:51 GMT -5
After having heard good stuff about The Ranger I watched it the last 2 days.
The Ranger(2019) Exclusive to Shudder
Set in the 80s,I am guessing 85 or 86. This film is about 2 couples and a lady who are part of their big cities punk rock scenes. The main lady's man has just got in a bunch of some new drug. And this group is planning on selling it and living off the profits.
The cops raid the show. The drugs are in the lead woman's backpack. She gets cornered in a dead end alley. Looks like she is about to get arrested,when her boyfriend shows up and stabs the cop to death. They meet up with the other couple,steal a van,and head off to a cabin in the woods that the lead girl's family has owned for years. Their plan is go hide out in the cabin. Then sell the drugs to get money.
But of course this being a horror film nothing will go right. Seems the mountain this cabin is on is patrolled by a odd park ranger. One who has some kind of connection to the lead girl.
I love this movie. The 6 leads are all good. The FX work,which is a mixture of CGI and practical,is really good. And the feel of the film,in that it looks to be the timeframe it was set in,is amazing.
Really the only drawback to The Ranger is this is exclusive to Shudder. No DVD/Blu Ray release as of right now. And it seems like not that many people have Shudder. But if you are a slasher fan and want a new slasher to watch,and one that feels like the 80s slashers,check out The Ranger.
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Post by DSR on Jul 25, 2019 19:04:05 GMT -5
I think Kaiju is at least horror-adjacent, so I'm going to post this: Criterion Collection have announced a massive blu-ray box set titled GODZILLA: THE SHOWA-ERA FILMS, 1954-1975 covering... GODZILLA (1954) (both Japanese and US versions) GODZILLA RAIDS AGAIN (1955) KING KONG VS. GODZILLA (1963) (both Japanese and US versions) MOTHRA VS. GODZILLA (1964) GHIDORAH, THE THREE-HEADED MONSTER (1964) INVASION OF ASTRO-MONSTER (1965) EBIRAH, HORROR OF THE DEEP (1966) SON OF GODZILLA (1967) DESTROY ALL MONSTERS (1968) ALL MONSTERS ATTACK (1969) GODZILLA VS. HEDORAH (1971) GODZILLA VS. GIGAN (1972) GODZILLA VS. MEGALON (1973) GODZILLA VS. MECHAGODZILLA (1974) TERROR OF MECHAGODZILLA (1975) Plus a slew of extras I don't feel like typing out right now. You can read all about it and, if you've got the scratch, pre-order this monstrous box set for yourself! www.criterion.com/boxsets/2648-godzilla-the-showa-era-films-1954-1975
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Nr1Humanoid
Hank Scorpio
Is the #3 humanoid at best.
Posts: 5,484
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Post by Nr1Humanoid on Jul 27, 2019 18:00:31 GMT -5
The Bad Seed. 2018.
As a huge fan if the original I was looking forward to this one. And I was somewhat disappointed. The problem was it was mostly on the surface material, not delving enough into what makes its villain and supporting characters tick.
I did enjoy the interplay between the evil little tyke and the one that figured her out.
The actors did not get much material to dig into but this was really a one person show with Mckenna Grace giving one hell of a terrific performance as the titular monster. What was up with the dyed hair though, blondes can be scary too.
All in all not much here beyond the bad seed herself, save the original movie's Patty McCormack's cameo. Some comeuppance for the villain would not have hurt.
2 switched cocoas out of 5.
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Post by DSR on Jul 28, 2019 1:55:22 GMT -5
Today, July 28th, 2019, is the 30th anniversary of the release of FRIDAY THE 13TH PART VIII: JASON TAKES MANHATTAN to theaters!
I wonder if Vancouver New York will flood their sewers with toxic waste in honor of this occasion?
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Post by Jumpin' Jesse Walsh on Jul 28, 2019 12:20:06 GMT -5
My review of Us (2019)
You’re welcome to disagree, but the past few years have been pretty damn good for the horror genre. We’ve gotten back into a time of big buzz, critically-acclaimed mainstream releases in a way the previous decade kinda lacked. Maybe I’m just blinded by all the recent hype surrounding Midsommar, but we’ve also seen the likes The Witch, Hereditary, Halloween, Get Out, A Quiet Place, and so much more rise to prominence to make horror cool again (or at least in the eyes of stuffy, no-good critics anyway; we know the genre has always been cool). I’m happy to say Jordan Peele’s Us carries on this healthy trend.
You could probably say Us has a much more difficult task compared to the other films listed above, which is to be just as good but totally different from Peele’s Get Out. It largely succeeds. If it could be accused as a less accessible film than Peele’s previous effort, it’s because it’s less allegorical. The message Get Out is trying to get across is clear; there are about a million and one ways you could interpret Us. Is this a comment on American classicism and the oppression of the lower class? A comment on xenophobia that seems more relevant than ever? That, and it’s downright weird. It’s never fully explained how the doppelgängers came into existence nor why they feel the need to resurrect Hands Across America of all things. It’s better off not explained to us.
Of course, the film’s meaning would be nothing without its cast. The Wilson family are a group of likable folks. They’re pretty funny, too. A mother-daughter spat over who has the higher kill count is a highlight. As if I needed to tell you, Lupita Nyong’o is amazing, dripping with conviction in both her personas. She has the uncanny ability to really make you feel the pain and trauma in her every word. This is readily apparent in her performance as Adelaide, but it took me a bit to realize her turn as Adelaide’s doppelgänger may be even more crushing. I’ll leave it at that, though. I don’t want to spoil too much.
Peele decided to make Us more of a straight-up horror movie after the controversy over Get Out’s genre classification, but still finds the time to insert some clever bits throughout. The best of these moments is when Elizabeth Moss, whose character is the embodiment of privilege, tries to call the police in her dying moments with the Alexa-like device in her lake house. It doesn’t work. The device mishears her and instead plays N.W.A’s famous anti-police rap. Even in moments of humor, Peele’s work does what all good horror can do. It forces us to look at ourselves in the mirror, paying close attention to our most unsavory parts.
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Post by Jumpin' Jesse Walsh on Jul 28, 2019 12:23:59 GMT -5
Today, July 28th, 2019, is the 30th anniversary of the release of FRIDAY THE 13TH PART VIII: JASON TAKES MANHATTAN to theaters! I wonder if Vancouver New York will flood their sewers with toxic waste in honor of this occasion? I'm celebrating by spending 70 minutes on a ship, then only 25 minutes in Manhattan.
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Nr1Humanoid
Hank Scorpio
Is the #3 humanoid at best.
Posts: 5,484
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Post by Nr1Humanoid on Jul 29, 2019 17:13:25 GMT -5
The Predator 2018.
If this was a one word opinion it would be awesome. But with this writers and director pedigree, that is to be expected.
The plot was minimal admittedly and credibility was severely strained yet there were never a dull moment. Just balls to the wall action and gooey gore (though CGI sadly) from start to finish.
Great acting, great characters, villains who deserved what they got and protagonists that it was genuinely sad to see die, the latter which is rare in this day and age.
As a fellow ugly motherf***er myself this was a more than worthy sequel (also a present rarity).
5 Black & Decker's out of 5.
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Ultimo Gallos
Grimlock
Dreams SUCK!Nightmares live FOREVER!
Posts: 14,400
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Post by Ultimo Gallos on Jul 29, 2019 17:48:22 GMT -5
Today, July 28th, 2019, is the 30th anniversary of the release of FRIDAY THE 13TH PART VIII: JASON TAKES MANHATTAN to theaters! I wonder if Vancouver New York will flood their sewers with toxic waste in honor of this occasion? I'm celebrating by spending 70 minutes on a ship, then only 2 minutes in Manhattan then 23 minutes in Vancover. FTFY
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Nr1Humanoid
Hank Scorpio
Is the #3 humanoid at best.
Posts: 5,484
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Post by Nr1Humanoid on Jul 31, 2019 18:01:06 GMT -5
Pet Sematary 2019
No doubt about it, this story is simply depressing. And with the ending this movie managed to make it more disturbing.
The twist was a good idea, (though I will never know why they did not keep it secret) as more could be done with Ellie instead of Gage. And it did not hurt that the girl gave a compelling performance as the adorable little zombie. Creepy covers it pretty well. Loved her dead eyed stare.
Zelda was not as creepy this time around, which is probably for the best, as she always scared me to death. I read somewhere there is a subliminal shot of the original Zelda in this movie.
The adults were well cast as were the cat. It was so mean this time around.
Not much gore to speak of but the few present packet a punch. That severed tendon is squirm inducing.
Bring on more new Stephen King as this and IT has me revved up for more.
4 exposed brains out of 5.
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Ultimo Gallos
Grimlock
Dreams SUCK!Nightmares live FOREVER!
Posts: 14,400
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Post by Ultimo Gallos on Aug 6, 2019 23:07:16 GMT -5
School Spirit-2019
This is the August entry in Blumhouse's Into the Dark series on Hulu. Each month you get new horror film connected in some way to the month/holiday in that month. With no major holidays in August School Spirit focuses on the first weekend after school starts.
5 teens are spending a Saturday in detention. Talk turns to how every year 2 students disappear. The School Spirit is supposedly killing these students in revenge for some wrong doing in the past.
The 5 teens are Breakfast Club stereotypes. With Erika being the only one that stands out. Smart young over achevier who is on her way to Harvard. Her being in detention is a big mystery for most of the film.
The killer is obvious in the first 20 minutes. The kills are decent. Worth seeing if you have Hulu.
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mystermystery
Dennis Stamp
Still in the White Hummer
Posts: 4,374
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Post by mystermystery on Aug 7, 2019 20:54:25 GMT -5
School Spirit-2019 This is the August entry in Blumhouse's Into the Dark series on Hulu. Each month you get new horror film connected in some way to the month/holiday in that month. With no major holidays in August School Spirit focuses on the first weekend after school starts. 5 teens are spending a Saturday in detention. Talk turns to how every year 2 students disappear. The School Spirit is supposedly killing these students in revenge for some wrong doing in the past. The 5 teens are Breakfast Club stereotypes. With Erika being the only one that stands out. Smart young over achevier who is on her way to Harvard. Her being in detention is a big mystery for most of the film. The killer is obvious in the first 20 minutes. The kills are decent. Worth seeing if you have Hulu. Watched it the other night. Agreed that the killer is very obvious and there are good moments (the boyfriend doing some absurd "I'm gonna have sex" stretches). It's very paint-by-numbers (And there is a bit of Number 'Red' going on) but, I agree, is an okay watch. It's standard slasher that wears its influences on its sleeve.
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Ultimo Gallos
Grimlock
Dreams SUCK!Nightmares live FOREVER!
Posts: 14,400
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Post by Ultimo Gallos on Aug 8, 2019 17:53:19 GMT -5
School Spirit-2019 This is the August entry in Blumhouse's Into the Dark series on Hulu. Each month you get new horror film connected in some way to the month/holiday in that month. With no major holidays in August School Spirit focuses on the first weekend after school starts. 5 teens are spending a Saturday in detention. Talk turns to how every year 2 students disappear. The School Spirit is supposedly killing these students in revenge for some wrong doing in the past. The 5 teens are Breakfast Club stereotypes. With Erika being the only one that stands out. Smart young over achevier who is on her way to Harvard. Her being in detention is a big mystery for most of the film. The killer is obvious in the first 20 minutes. The kills are decent. Worth seeing if you have Hulu. Watched it the other night. Agreed that the killer is very obvious and there are good moments (the boyfriend doing some absurd "I'm gonna have sex" stretches). It's very paint-by-numbers (And there is a bit of Number 'Red' going on) but, I agree, is an okay watch. It's standard slasher that wears its influences on its sleeve. I almost turned it off by the 15 minute mark. Glad I didn't. School Spirit was well made enough that I am going to watch the other 11 episodes of Blumhouse's Into the Dark series.
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Ultimo Gallos
Grimlock
Dreams SUCK!Nightmares live FOREVER!
Posts: 14,400
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Post by Ultimo Gallos on Aug 8, 2019 18:10:12 GMT -5
Since yall seem to be fairly knowledgeable about modern horror I am asking for some help.
Every October,since 2000,I have posted every day a review of a horror/halloween themed movie or TV show. Use to be I watched the film and wrote the review on the same day. But the last 5 years I have started working on the reviews in January of the year. This way I am not rushed each day in October to do them. I do still watch whatever film has a review going up that day on that day.
So here is my issue right now. I got 21 reviews done. Need 10 more. And so far this year I haven't covered much horror from the past 15 years. I thought about it and figured "f*** it ask at a few of the forums you post at for ideas for films/TV shows."
Now here's the simple rules. 1.If it is a movie it has to be at least 70 minutes long. For a TV show I will do 2 episodes of an hour long show or 3 or 4 of a 30 minute long show. 2.Any kind of horror is good. So Horror/comedies like Repossessed count. Also stuff set during Halloween or Halloween themed counts. Like how a few years ago I reviewed every Halloween episode of Roseanne. 3.Since I end up watching lots of stuff now on my tablet,I rather not have something that is heavily subtitled. Just cause on my tablet it is hard to read subtitles. 4.I prefer the film/tv show be from the past 15 years. Mostly since it is the past 15 years were I got out of modern horror. 5.It would be helpful if the movie/tv show is on Netflix/Hulu or one of the many free streaming apps on Roku. It is cool if something yall recommend isn't on these. But it is much easier for me to view them if they are on say Hulu,Netflix,Channel 62,Horror Hotel,etc.
I enjoy most types of horror. With only ghost stories being the one subgenre of horror I have never been much into.
And hell just for shits and giggles....is anyone else doing the whole 31 movies in October thing? If you are have you already picked out your films?
Here is the 21 things I have already covered...
Maximum Overdrive,The Burbs,Madman,You're so cool Brewster the Story of Fright Night,Henry Portrait of a Serial Killer,Bunks(Made for disney channel kids camp zombie movie),Puppet Master the Littlest Reich,Brain Damage,Reanimator Academy,Scooby Doo Curse of the Lake Monster(4th live action Scooby film),Disney's ZOMBIES(Made for Disney CHannel zombie musical),Evil Sister(Late 90s horror/softcore porn),Return of the Living Dead part 2,The Twilight Zone(3 episodes of the 80s remake series),Witchcraft 16 Hollywood Coven,Spaced Invaders,The Ranger,Frankenstein(Boris Karloff),Goosebumps 3 dvd thriller pack(Got 2 of these three packs. So did each pack as one day.),School Spirit
Hoping that this year I get a chance to review a film from fellow FAN posters Brodie the Slayer.
Ok so thanks in advance. Hope yall find some crazy wacky stuff for me to watch.
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Post by DSR on Aug 8, 2019 18:40:58 GMT -5
Every year I try to watch at least 31 movies throughout the month of October (I almost always over-shoot). The past decade of horror has been something of a blind spot for me, as well. I intend to make up for that this October by doing (if possible) only films from 2010-2019. I don't have a list in place yet, I have a handful of horrors from the decade that I own on DVD, I'll probably run through them since they're easily available. Otherwise I'm probably hitting up www.shoutfactorytv.com, Amazon Prime, or cable OnDemand service for stuff. I have been keeping my eye on BrodietheSlayer's Best Horror Movie of the Last 100 Years tournament over in the games section, seeing what the most popular horror flicks are in that. He's currently in the middle of 2012: officialfan.proboards.com/thread/590269/best-horror-movie-years-roundI figure you might find some inspiration if you poke around in those threads.
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